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Thursday, May 19, 2022

Album of the Week: Dark Nights, Bright and Bright Future – Culture

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Ho99o9 – “SKINS”

Album of the Week: Ho99o9: "skin"

Ho99o9: “Skin”

(Photo: ATO Records)

At the moment, nobody gets to freak out more beautifully than the American trio Ho99o9 (pronounced horror). Its founding members, Yeti Bones and theOGM, grew up with gangsta rap, soon fighting at hardcore punk concerts, and ended up watching too many horror movies. The music they’ve been making since 2012 sounds like an issue of cross-genre music aggression or noise pollution. Travis Barker of skatepunk band Blink 182 stepped in as drummer on their second album “SKIN” (ATO Records) and the anger the three have been building up in the studio over the last two years is remarkable. There’s plenty of nihilistic anger and even a guest appearance by professional screamer and Slipknot singer Corey Taylor on “SKIN.” Live Ho99o9 is considered a much vaunted impertinence, on the record they are a promise: if the zombie apocalypse comes, rock music will have an afterlife in them. Timo Posselt

Alex Cameron – “Oxy Music”

Album of the Week: Alex Cameron: "OxyMusic"

Alex Cameron: “Oxy Music”

(Photo: Secretly Canadian)

has aggression problems AlexCameron no. Instead, the Australian singer-songwriter with the look of Nick Cave’s memory is interested in the connection between depth and pharmacy on his new album “Oxy Music” (Secretly Canadian). Cameron further explains how the “search for the reason of life” ends at the next pharmacy. The world situation, according to the artist, is causing more and more people to turn to opioids. This is also shown by the latest statistics. Regular. Until now, Cameron has drawn less attention with his hobby of studying social sciences than with his casual embodiment of fragile masculinity. On “Oxy Music” he accompanies his own inventory of the US opioid crisis with ’80s synths so foggy that one thinks less of prescription painkillers than of driving Bryan Ferry’s convertible into the sunset. Despite the parking space between form and content, you can hum splendidly here. Timo Posselt

Dolly Parton – “Run Rose Run”

Album of the Week: Dolly Parton:

parton doll:

(Photo: Butterfly Records)

Even parton doll it doesn’t directly reinvent the world, but at least it gives it some punch: “Is it easy? / No, it’s not / Can I fix it? / No, I can’t / But I’m sure I won’t take it as a lie.” ‘down.” All difficult. Nothing to fix. But who would give up and stretch for that. “Woman Up (And Take It Like a Man)” is the name of the song that is part of the album “Run Rose Run ” (Butterfly Records), marching very happily against the odds. A, you don’t have to beat around the bush, very archetypal, very American field work. A touch of bluegrass, here and there a couple of fiddles and really fancy choirs. Plus one or two really excruciating ballads, but also the song that should apply from here on out for the next few weeks, at least: “Dark Night, Bright Future.” things disappear / Kindness erases regret, hope can conquer fear”. Are they calendar sayings? jeez, yes. it’s country. It’s America’s success. But you take what you can get these days. Or? Then! Jacob Biazza

Jenny Hval – “Classic Objects”

Album of the week: Henny Hval: "classic objects"

Henny Hval: “Classic Objects”

(Photo: 4AD)

The Norwegian knows how to harmoniously combine unusual themes in pop songs Jenny Hval. For example from “Blood Bitch” (2016): menstrual blood, vampires, capitalism. That sounded just as cinematic. The new album “Classic Objects” (4AD) is thematically more accessible. He then travels to places from his youth and places he missed during the pandemic. After devoting himself to noise with his partner Håvard Volden under the name Menneskekollektivet, the new pieces strive more for pop songs. But the billowing rain at the beginning of “Cemetery of Splendor” alone indicates just how far the journey could take this time: synths suffer from wanderlust, percussion sounds handy, and Hval’s helium voice is lost in the background. immensity. An album like a step outdoors. Timo Posselt

Stahlberger – “Lüt uf Fotene”

Album of the Week: Stahlberger: "Lut uf Fotene"

Stahlberger: “Lüt uf Fotene”

Switzerland scores not only with DJ Bobo, mountains of money from autocrats and different states of cheese aggregation, but also with a hopelessly underrated music scene. After German ears already got involved with the Viennese singer-songwriter Voodoo Jürgens, the great canton now has to prepare for a band in Schwyzerdütsch: Stahlberger they are considered in Switzerland as the musical seismographs of everyday narrowness. The new album “Lüt uf Fotene” (Irascible) is populated by figures between pyromaniacs and conservatives. Composer Manuel Stahlberger sings about the lost illusions of “People on Photos,” as the album’s title translates into High German, with laconic humor and scratchy dialect. Despite the rock factor, it sounds less small-scale: these rock songs constantly swell into steep, intricate walls of sonic synths. Like the Upper Bavarian indie band The Notwist, producer Olaf Opal gave this album such a feverish sound that it sounds without a place in the best sense of the word. Timo Posselt


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